In between all the other things I’m still working on the making of of ‘de Passievrucht’ and the portrait of Maarten Treurniet, the director. By now I know his face so well; I know how he moves when he is nervous, concentrated, irritated, happy or sad. I try to follow his thoughts and choices without asking him or others. It’s very special to do because I get a very intimate relation with a person that doesn’t have an intimate relation with me.